Patches Tapestry #2 Portraits Wright's concept of "optimistic tones"

Wright's concept of "optimistic tones" resonated deeply with Davis

and paragraphs as art itself

Lush greens recall the forests of Azrou and the ritual of mint tea

Conceived on an exploratory trip to Morocco where the medium for her collection was chosen

then and now

Patches Tapestry #2 Portraits Wright's concept of "optimistic tones"A vibrant topographic meditation on Morocco, the Patches tapestries by artist Fingacode translate memory into form, mapping the landscapes, traditions, and cultural imprints that shaped the artists experience of his travel. Earthy browns evoke the boundless Sahara, while deep blues trace the embrace of the Mediterranean and Atlantic. Lush greens recall the forests of Azrou and the ritual of mint tea. The soft pinks and bold reds celebrate Moroccos