An Attractive Aesthetic Movement Ebonised Armchair in the Manner of E.W.Godwin c.1900 sub-Decorative Objects and sense of fun

and sense of fun

She still remains relatively sturdy

It has an outstanding patina and colour and is very much

makes them infinitely more appealing than the average still life and have real decorators attraction

Soon the meaning of the word included the symbolic seats of those who held secular or religious power

An Attractive Aesthetic Movement Ebonised Armchair in the Manner of E.W.Godwin c.1900 sub-Decorative Objects and sense of funOrigin: English Period: Aesthetic Movement Provenance: Unknown Date: c. 1900 Height: 34. 5 Width: 21. 5 Depth: 23 (all at extremities) The ebonised reeded frame with a pierced geometric panel back, on four ring turned legs, the seat upholstered in red and white waffle fabric, survives from early twentieth century England and inspired by the designs of E. W. Godwin. The chair has signs of wear to the ebonised finish as you would expect to the