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and the iconic Artoria Gibbons
including being stocked in the famous Westwood SEX shop
living with the Earth
and pretty quickly his spiritual home and the birthplace of punk
both worshipful and obsessive
THE BRIDE STRIPPED BARE BY HER BACHELORS EVEN AGAIN (1966) print and the iconic Artoria GibbonsTo prepare for a 1966 retrospective of Duchamp's work at the Tate Gallery, Richard Hamilton painstakingly reconstructed The Large Glass, which was permanently housed in the Philadelphia Museum of Art, having been smashed, then rebuilt, forty years earlier following a showing in Brooklyn. He did so by using the notes from Duchamp's Green Box rather than copying photographs of the completed piece. Hamilton gave his reproduction the extended title, The
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